MFLA_MAG_0002_0001_016
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Composition d’Émile Benoit du morceau Noël (inf.) |
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MFLA_MAG_0002_0001_017
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La rue de Noël (inf.) |
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MFLA_MAG_0002_0001_018
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Valse (inf.) |
- Témoignage
- Expression instrumentale
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MFLA_MAG_0002_0001_019
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Bas-toi pour la justice (inf.) |
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MFLA_MAG_0002_0001_020
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Anecdote de couple |
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MFLA_MAG_0002_0001_021
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Catherine’s Wright’s gigue (inf.) |
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MFLA_MAG_0002_0001_022
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Présentation du morceau de violon qui suit |
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MFLA_MAG_0002_0001_023
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Morceau de violon (doc.) |
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MFLA_MAG_0002_0001_024
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Morceau de violon (doc.) |
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MFLA_MAG_0002_0001_025
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Morceau de violon (doc.) |
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MFLA_MAG_0002_0001_026
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Morceau de violon (doc.) |
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MFLA_MAG_0002_0001_027
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Souvenirs des compositions |
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MFLA_MAG_0002_0001_028
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Scottish (inf.) |
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MFLA_MAG_0002_0001_029
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Éléments sur la Scottish et Pamela’s lonely nights |
- Témoignage
- Expression instrumentale
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MFLA_MAG_0002_0001_030
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Composition pour Christina Smith |
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MFLA_MAG_0002_0001_031
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Composition du morceau Tootsie-wootsie (inf.) |
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MFLA_MAG_0002_0001_032
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Christina’s (inf.) |
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MFLA_MAG_0002_0001_033
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Parcours d’Émile Benoit |
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MFLA_MAG_0002_0001_034
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Préparation des prochaines visites de l’enquêteur |
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MFLA_MAG_0002_0001_035
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Indications sur un guérisseur |
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